Comedy & Conservatism

–Knock knock.

–Who’s there?

–A smaller government, a vigorous military presence abroad, and traditional values.

Get it?  According to Frank Rich, no one does.  Conservatism just isn’t funny.  In a terrific essay last week in New York Magazine, Rich explores the tortured relationship between conservatism and comedy.

Rich wonders why there are no big conservative comedians out there, no flipside to the Jon Stewarts and Stephen Colberts.  He mentions a couple of contenders, such as Dennis Miller and even South Park.  But they are either not very funny or not very conservative.  And, as Rich points out, it seems like there would be plenty of funding for a vigorous conservative comedy effort.  But the few that have been made, such as the lamentable ½ Hour News Hour, are only embarrassing for us all.

Rich doesn’t make the case, but it seems as if conservatism, as a rule, should have the upper hand when it comes to laffs.  After all, as Hannah Arendt argued long ago, conservatives in general have the easier job in cultural polemics.  They can joke about each new innovation.  They can skewer new trends and rely on long-standing traditions to pillory liberal excesses.

But, as Rich points out, they don’t.  Why not?  Why aren’t conservatives funny?

Rich argues that too many conservative comedians are conservatives first and comedians second.  After all, “liberal” jokesters such as Jon Stewart don’t hesitate to joke about liberal heroes.  Stewart puts the jokes first and the politics second.

More Preachy than Funny

More Preachy than Funny

When liberals forget this simple rule, they are just as unfunny as conservatives.  Remember Leslie Knope’s (Amy Poehler’s) stilted attempt at sex-education humor?  It just wasn’t funny.

This rule applies outside of comedy, of course.  Some conservative intellectuals embrace the paintings of the late Andrew Wyeth, for example, as “conservative” masterpieces.  Consider the vast difference, though, between Wyeth’s brand of painting and the conservatism-on-his-sleeve style of Jon McNaughton.

As Rich notes about comedy, art of any sort seems to suffer when pundits put ideology first and art second.

Wyeth's "Christina's World" (1948).  Is this good art?  Or just good "conservative" art?

Wyeth’s “Christina’s World” (1948). Is this good art? Or just good “conservative” art?

 

 

 

 

Jon McNaughton's "The Forgotten Man." Politics first, art second.

Jon McNaughton’s “The Forgotten Man”

Advertisements
Previous Post
Leave a comment

2 Comments

  1. Agellius

     /  May 28, 2014

    Just a guess, but maybe it’s harder for avowed conservatives to break into show business generally. The few expressly conservative comedians get airtime precisely because they’re conservatives, but those who just happen to be conservative without expressly doing conservative comedy, for “some reason” never get their big break.

    Reply
  2. Donna

     /  May 28, 2014

    Speaking of comedy, Blue Man Group uses Wyeth’s painting in their show.

    Reply

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s